Rejected Gurugram Job. Returned to Assam. Built a Global D2C Jewellery Brand.

Soumya Verma
15 Min Read
bloom-by-sushmita-todi-d2c-startup-success-assam-story
Quick Take:
  • Who: Sushmita Todi, 28, from Tinsukia district, Assam — B.Com, Royal Global Institution, Guwahati (2018); MBA via distance learning, Symbiosis University, Pune
  • The start: 2017, second year of college — hostel room side hustle to earn pocket money without asking her parents; zero investment, zero storefront, zero marketing budget; just Instagram and determination
  • The pivot: Declined PolicyBazaar job offer in Gurugram (Rs 25,000/month) in 2018; returned to Assam; went all-in on building the brand
  • Official launch: April 2022 — built her own e-commerce website; Bloom by Sushmita launches as a formal D2C brand
  • Revenue journey: Rs 50 lakh (FY24) → Rs 1.5 crore (FY25) → Rs 2.5 crore (FY26)
  • Global: 40-50% of revenue from international markets — US, UK, UAE, Canada, Malaysia; worldwide shipping; 40,000+ happy customers
  • Products: Oxidised silver, German silver, lightweight jewellery; 1,500 SKUs; 60% curated from market, 40% custom in-house designs; festive to everyday wear
  • Team: 100% all-women company — manufacturing, packaging, procurement, and daily operations all run by women, entirely from Assam
  • Supply chain: 100% Made in India; primary manufacturing in Jaipur; also Ghaziabad and Delhi; no imported raw materials; Sushmita travels to Jaipur every 4-5 months

In 2017, in her second year at Royal Global Institution, Guwahati, Sushmita Todi wanted extra money for college events. She did not want to ask her parents. So she looked at what she had — a hostel room, a smartphone, and a rising trend she had noticed on Instagram — and started selling jewellery to whoever would buy.

She had no storefront. No marketing budget. No supplier relationships. No brand name. Just a product she could source, a small audience she was building on social media, and the kind of determination that does not wait for perfect conditions to get started. The first month, she earned Rs 50,000

Seven years later, Bloom by Sushmita is a global D2C jewellery brand that crossed Rs 2.5 crore in revenue in FY26 — with 40-50% of that revenue coming from international markets including the US, UK, UAE, Canada, and Malaysia. Operated by a 100% all-women team from Assam, with manufacturing anchored in Jaipur and a catalogue of 1,500 SKUs, Bloom is proof of something the Indian startup ecosystem rarely highlights: that a woman, in a small town, with no funding and no big-city connections, can build a globally competitive brand entirely on the strength of product, pricing, and social media intelligence.

StartupFeed Insight — The Bloom Playbook for Women D2C Founders

What makes Bloom’s story structurally different from most D2C case studies:

  • Geography as a non-issue: Every conventional D2C narrative assumes you need to be in Bengaluru, Mumbai, or Delhi to build a scaled brand. Sushmita built a global business from Tinsukia, Assam — one of India’s smaller towns, far from any startup ecosystem, without a co-working space, accelerator programme, or industry network. The only infrastructure she used was Instagram, a smartphone, and eventually Jaipur’s jewellery manufacturing cluster
  • The job rejection decision: Declining a Rs 25,000/month PolicyBazaar job offer in Gurugram — a financially rational ‘safe’ choice for a 22-year-old from Assam in 2018 — is the decision the entire Bloom story pivots on. Most young people from smaller towns take the job. Sushmita calculated that Rs 25,000 in Gurugram would barely cover rent, and returned to Assam where her cost structure allowed her to build without financial pressure. Geography was not a limitation; it was a competitive advantage
  • The all-women team is a values statement AND a commercial strategy: Operating a 100% all-women company in a small Assam town means Sushmita is creating employment in a geography and demographic that India’s formal economy largely ignores. Every hire is also a statement about what is possible for women in Assam’s tier-3 towns — that high-skilled, commercially meaningful work exists without migrating to metros
  • International revenue at 40-50% from a bootstrapped Assam brand: Most funded D2C brands in India struggle to cross 5-10% international revenue. Bloom is doing 40-50% internationally, entirely through its own website and social media. This is not luck — it is evidence of product design that resonates with diaspora buyers (Indian communities in the US, UK, UAE, Canada, Malaysia) who want affordable, trendy, ethnically-rooted jewellery that they cannot find locally

Our prediction: Bloom’s next inflection will come when it crosses the Rs 5 crore ARR mark — the threshold at which it becomes attractive for marketplace partnerships (Myntra, Nykaa, Amazon India) that can reduce its dependence on Meta ad spend. The question for Sushmita is whether to remain DTC-pure or use marketplace scale to fund a larger catalogue and custom design investment.

 

Sushmita Todi — The Founder Profile

Parameter Details
Name Sushmita Todi
Age 28 years
Hometown Tinsukia district, Assam
Family background Business family
Education B.Com — Royal Global Institution, Guwahati (2018); MBA (distance learning) — Symbiosis University, Pune
Job offer declined PolicyBazaar, Gurugram — Rs 25,000/month (declined in 2018 — concluded the salary would not cover Gurugram’s cost of living)
First business activity 2017, second year of college — hostel room jewellery reselling side hustle, zero investment, Instagram as the storefront
Key insight Rising social media trends were creating demand for affordable, trendy jewellery that traditional markets weren’t serving online
First month earnings Rs 50,000 — via Instagram sales from hostel room
Official brand launch April 2022 — built own e-commerce website; Bloom by Sushmita formally launched
Inspiration for brand name ‘Bloom’ — the journey of growth, from seed (hostel room) to flower (global brand)

 

The Revenue Journey — From Rs 0 to Rs 2.5 Crore Bootstrapped

Period / FY Milestone Revenue / Activity
2017 (College, Year 2) Zero-investment hostel room side hustle — Instagram selling First month: Rs 50,000; no formal brand, no website, no inventory investment — pure reselling from hostel room
2018–2021 Post-graduation; declined Gurugram job; returned to Assam; built brand and Instagram presence Growing follower base; began investing in inventory; building supplier relationships; 149K Instagram followers (as of 2026 account)
April 2022 Official D2C launch — built own e-commerce website (bloombysushmita.com) Formal D2C infrastructure; own product listings; direct international shipping capability established
FY24 (first full website year) First full year of D2C website operations Rs 50 lakh in revenue
FY25 Growth phase — expanded catalogue; Meta ads scaling Rs 1.5 crore — 3x YoY growth
FY26 Rs 2.5 crore — global D2C brand Rs 2.5 crore — 67% YoY growth; 40-50% from international markets; 40,000+ customers

 

“You don’t need massive funding or a big-city address to build a global brand. I started with zero investment, a smartphone, and a hostel room in Assam just so I wouldn’t have to ask my parents for pocket money. Today, Bloom is proving that with the right designs and a deep understanding of social media, you can take affordable luxury to the world.” — Sushmita Todi, founder, Bloom by Sushmita

 

The Product — What Bloom Makes and Why It Works Globally

Product Element Details
Primary materials Oxidised silver, German silver — lightweight, durable, affordable compared to gold and sterling silver
Style positioning Bohemian-influenced, statement pieces; versatile — ethnic and western wear; trend-responsive
Price point Affordable — accessible price tags; ‘affordable luxury’ positioning; designed for regular, everyday use not just special occasions
Catalogue size 1,500 SKUs — one of the widest catalogues in the Indian D2C fashion jewellery segment for a brand of this size
Sourcing split 60% curated from market (Sushmita actively monitors global trends on Instagram and Pinterest); 40% custom in-house designs
Manufacturing Primary: Jaipur (India’s jewellery capital); also Ghaziabad and Delhi for specific raw materials and assembly; 100% Made in India, zero imported raw materials
Design process Sushmita travels to Jaipur every 4-5 months to finalise collections and oversee production personally
Collection range Everyday office wear → festive pieces; target: regular, wearable styles at accessible prices
International appeal Strong resonance with Indian diaspora in US, UK, UAE, Canada, Malaysia — affordable, trend-current, ethnically-rooted jewellery they cannot source locally

 

The Business Model — How Bloom Sells and Grows

  • D2C Website (bloombysushmita.com): Primary sales channel; direct customer relationship; worldwide shipping capability; zero marketplace commission
  • Instagram (149K followers): The original storefront and still the primary brand-building platform; content-first approach; product discovery via Reels and Stories
  • Meta Ads: Primary paid acquisition channel — targeted ads on Facebook and Instagram drive website traffic and conversions
  • Influencer Marketing: Micro-influencer collaborations for reach expansion; Sushmita’s personal brand account (@sushmitatodi_) as founder-led marketing
  • Combo Deals: High-volume, budget-friendly combo packages — a key conversion mechanism particularly effective in the international market where value bundling drives order values
  • Festive season strategy: Peak revenue months July-December; earns Rs 25-30 lakhs per month during festive season; this is when international diaspora buyers are most active for gifting and occasion wear
  • 40,000+ customer base: Repeat purchase loyalty built through product quality and consistent new design drops — 1,500 SKUs means there is always something new to return for

 

The All-Women Team — A Commercial and Cultural Statement

From manufacturing and packaging to procurement and daily management, every function of Bloom by Sushmita is run by women, entirely from Assam. This is not a diversity policy statement — it is the operating reality of the company.

For Sushmita, this is both a personal values commitment and a practical business decision. Assam’s smaller towns have significant pools of skilled, motivated women who have limited access to formal sector employment — the kind of work that is intellectually and commercially meaningful, not just task-based labor. By building her entire team locally and exclusively from women, Sushmita has created a model of employment that is genuinely alternative to the dominant Indian narrative that skilled work requires migration to metros.

The commercial logic: A team deeply rooted in the same cultural context as many of Bloom’s buyers — women from Assam who understand festive occasion dressing, everyday versatility, and price sensitivity — has an intuitive product sense that market research cannot fully replicate. The team’s understanding of what a woman in Assam wants to wear, scaled through Sushmita’s Instagram trend-monitoring, is the creative engine behind Bloom’s 1,500-SKU catalogue.

 

The International Story — 40-50% Revenue from Abroad

Bloom’s international revenue share of 40-50% is one of the most remarkable metrics in the Indian bootstrapped D2C jewellery space. For context: many funded Indian D2C brands with dedicated international marketing teams and logistics partnerships struggle to cross 10-15% international revenue. Bloom achieves 40-50% from Assam, entirely through direct-to-consumer online sales, with no distributors or retail partners abroad.

Why diaspora buyers respond to Bloom: 

  • Product authenticity: Oxidised and German silver jewellery with Indian design aesthetics is genuinely difficult to source in the US, UK, and UAE at accessible price points. What sells for Rs 300-800 in India costs $15-40 in the diaspora market when available at all — Bloom’s pricing represents significant value for international buyers
  • Trend currency: Sushmita’s active Instagram and Pinterest trend monitoring means Bloom’s designs reflect current global fashion directions — not static traditional designs but trend-informed pieces that work with contemporary wardrobes
  • Social media as the distributor: Indian diaspora communities in the US, UK, UAE, Canada, and Malaysia are highly active on Instagram. Bloom’s content reaches them organically and through paid ads — the distribution network that would cost millions to build through physical retail or traditional export

 

What do you think about Bloom by Sushmita’s story? Know a brand like this that deserves more visibility? Tell us on X @StartupFeed_news

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